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“D’Improvviso” comes to life from the real concept of “extemporaneous improvisation”. It was recorded keeping in mind just a scheme of atmospheres and some little ideas about some themes just to begin to play the pieces and to build structures.



The tone quality of the viola seems uniquely suited to music of an elegaic nature, and has been seen as such by a line of 20th and 21st century English composers.



The debut of Dominika Zamara and Stanley Alexandrowicz with Sheva



A live recording in Villa Bossi Concert Hall. Mayu Takahashi plays on the Erard owned by Cosima Liszt. Not for sale



A CD that explores the music by the almost unknown composer Ferdinand Rebay.



Born in Ishikawa, Japan, she is the winner of numerous awards and competitions including the International Concerto Competition and International Music Competition’s winner’s recital.



Following the success of the 3-CD album by Alberto Bologni and Christopher Howell of the complete works for violin and piano by Charles Villiers Stanford, a Sheva bestseller and glowingly reviewed in Gramophone, BBC Music, The Strad and MusicWeb International, Christopher Howell is now beginning a cycle of Stanford’s complete works for solo piano.



Since Mozart's times, Piano Concertos have often been played in chamber versions. Mozart himself composed four Concerti



Playing the piano can be quite lonely at times, but it should
always provide pleasure, and through this open paths to new
experiences.



The art of transcription has been an important task for musicians in every historical period. The reasons why a composer might decide to transcribe/elaborate/modify a piece of music are numerous.



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